Bruno I was given, Littlemore I gave myself, and with some prodding I have finally decided to give this undeserving and spiritually diseased world the generous gift of my memoirs." Erudite and affected, bitter, brilliant and lonely, Bruno's narrative voice self-consciously echoes many of the 20th century's most memorable narrators. The novel's narrator and semi-reluctant hero announces himself with a flourish on the first page: "My name is Bruno Littlemore. Coetzee's " Elizabeth Costello." For readers of the present day, "The Evolution of Bruno Littlemore" offers a touching and quirky story of identity formation, a brash, glittering, engaging yarn that pushes past opposable thumbs, universal grammar and bipedal ambulation to the pulsing heart of our fair species. This interspecies coming-of-age story - in which a chimpanzee acquires language and attempts to make his way through human society - would be taught alongside "Animal Farm," the works of Temple Grandin and J.M. In the graduate literature seminars of this future, Benjamin Hale's debut novel, "The Evolution of Bruno Littlemore," would be hailed as a brave and visionary work of genius. Imagine, for a moment, a future in which animals are accorded the same rights as humans, a society in which cattle ranchers, research scientists and pet owners are regarded with an antipathy we now reserve for eugenicists and slave traders.
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